Looks good, feels great (2022)
This project explored ideas around print media & beauty culture in the 2000's - early 2010's. This resulted in a video work created using a 35mm film scanner, and a large canvas work made using synthetic textile printing techniques.
Screenprint and sublimation sample
Screenprint, dye transfer and sublimation sampling
Final sample
Final result, detail of 'Looks good, Feels great'
Play: House (2023)
A kitsch exploration of papercraft, this project was inspired by theatre stage maquettes from the V&A collections. A mother and daughter figure parallel each other made from multiple layers of laser cut MDF and decorated with methods used for dollhouse production. Looking at the relationship between domestic labour, familial relationships and spaces in the home.
No damsel then was worth a pin (2023)
A pop-up exhibition commissioned by GAS projects, in response to the history of The Folk of Gloucester building. The work centred the pin manufacturing history of the building- women and children endured harsh labour conditions, hand-making pins until mechanisation of the process ended the industry in Gloucester. A pincushion doll in a rococo sack dress shows surface pattern adapted from photographs of the building.
Pincushion doll detail
Installation shot
Design I
Design sketches
